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In the heart of Ferrara, between the Estense Castle and the Cathedral, a figure dominates the square with raised arms and a stern gaze: the statue of Girolamo Savonarola, one of the most recognizable monuments in the historic center.
And according to a very Ferrarese tradition… it’s better not to meet his eyes.





Who Was Savonarola?
Born in Ferrara in 1452, Savonarola was a Dominican friar and fiery preacher who became famous in Florence for his fierce denunciations of the moral and political corruption of his time. After leading the city during a turbulent period in its history, he was excommunicated and sentenced to death. In 1498, he was hanged and burned in Piazza della Signoria.
The 19th-Century Monument
Ferrara dedicated a monument to him only in 1875. It was created by the sculptor Stefano Galletti from nearby Cento, who portrayed Savonarola with his arms raised in an oratorical gesture, standing atop a pile of wood that recalls the Florentine stake.
The inauguration, held on May 23, 1875 in the presence of the future King Umberto I, was a solemn occasion. Savonarola became a symbol of civic conscience and the courage to challenge authority.
Between War and Superstition
During the bombings of the Second World War, the statue was damaged but remained standing. Over time, it has also become part of local folklore: it is not unusual to see it draped with a SPAL football scarf during major sporting celebrations.
The most curious tradition, however, concerns his gaze. In Ferrara, people say you should not look the statue in the eyes, to avoid bad luck. There is no official explanation, just one of those beliefs passed down through generations with a knowing smile.
A Symbol at the Heart of the City
Today, the statue of Savonarola is one of the landmarks of Ferrara’s historic center, just steps away from its main monuments. It is not merely a reminder of the past, but a living presence within the urban landscape.
If you are visiting Ferrara, stop for a moment in Piazza Savonarola and take a closer look at this monument.
Maybe just avoid the eyes. But the choice is yours.
This article was written in collaboration with Filo Magazine, based on the original piece by Debora Clerici.







